So, like Casarosa’s Alberto did for him, film Alberto pushes Luca out of his comfort zone and helps him learn to articulate and chase his dreams.
Luca review movie#
Wanted to make a movie about those kinds of friendships that help you grow up…” I was really shy and I found this troublemaker of a kid who had a completely different life.
The core theme is the celebration of friendship, and so the central narrative thrust is the friendship between Luca and Alberto, which is based on Casarosa himself and his best friend Alberto Surace: “I met my best friend when I was 11. The soundtrack even includes era-appropriate Italian pop. Luca is the feature length directorial debut of Enrico Casarosa (who previously directed the academy award nominated 2011 short film La Luna) and is a “deeply personal” coming-of-age story, taking inspiration from his childhood in Genoa, something reflected in the film’s look, which is deeply rooted in the Italian Riviera of the 1950s & 60s-an era that Casarosa has described as a “golden age that feels timeless”-saturated with both the warm colours evoking a Mediterranean summer and the cool blues and greens of the ocean. But they also run afoul of the bullying Ercole… In order to win enough money to buy one, they decide to enter the Portorosso Cup, after finding a new friend in local girl Giulia. The more confident Alberto brings the timid Luca out of his shell, and together they bond over the dream of owning a Vespa and using it to see the world. For it turns out that, when dry, sea monsters become human and revert to their natural forms when wet.
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Until he meets and befriends Alberto, another sea monster who lives alone above the surface. But, fearing that humans would hunt him, his parents forbid him from even approaching the surface. 13-year-old Luca is a sea monster living off the coast of the Italian town of Portorosso, spending his days herding goatfish and dreaming of the world above.